{"id":124351,"date":"2022-05-08T17:27:40","date_gmt":"2022-05-08T20:27:40","guid":{"rendered":"https:\/\/www.radiojai.com\/?p=124351"},"modified":"2022-05-08T17:27:40","modified_gmt":"2022-05-08T20:27:40","slug":"los-judios-de-la-musica","status":"publish","type":"post","link":"https:\/\/www.radiojai.com\/index.php\/2022\/05\/08\/124351\/los-judios-de-la-musica\/","title":{"rendered":"Los jud\u00edos de la m\u00fasica"},"content":{"rendered":"<div dir=\"auto\">La m\u00fasica cl\u00e1sica occidental es una consecuencia del canto gregoriano, que tuvo su origen en los cantos lit\u00fargicos del servicio de la sinagoga. En los tiempos modernos, los jud\u00edos han desempe\u00f1ado un papel importante en la m\u00fasica como int\u00e9rpretes, directores y compositores. De los cien principales int\u00e9rpretes virtuosos del siglo XX enumerados en\u00a0<a href=\"http:\/\/www.muzieklijstjes.nl\/100players.htm\" target=\"_blank\" rel=\"noreferrer noopener\" data-auth=\"NotApplicable\" data-linkindex=\"0\">http:\/\/www.muzieklijstjes.nl\/100players.htm<\/a>, aproximadamente dos tercios de los violinistas, la mitad de los violonchelistas y el cuarenta por ciento de los pianistas eran, o son, jud\u00edos. De los cien principales directores del siglo XX enumerados en\u00a0<a href=\"http:\/\/www.muzieklijstjes.nl\/100conductors.htm\" target=\"_blank\" rel=\"noreferrer noopener\" data-auth=\"NotApplicable\" data-linkindex=\"1\">http:\/\/www.muzieklijstjes.nl\/100conductors.htm<\/a>, aproximadamente una cuarta parte eran, o son, jud\u00edos. Entre los principales compositores cl\u00e1sicos, la representaci\u00f3n jud\u00eda es solo del diez por ciento, siendo los m\u00e1s notables Felix Mendelssohn, Jacques Offenbach, Gustav Mahler, Arnold Schoenberg, George Gershwin y Aaron Copland (cf. World&#8217;s 50 Greatest Composers). Sin embargo, los compositores jud\u00edos han desempe\u00f1ado un papel predominante tanto en el desarrollo del teatro musical estadounidense como en el desarrollo de la m\u00fasica cinematogr\u00e1fica; aproximadamente el cuarenta por ciento de los miembros del Sal\u00f3n de la Fama de los Compositores son jud\u00edos.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">RECEPTORES JUD\u00cdOS DEL PREMIO DE LA ACADEMIA A LA MEJOR CANCI\u00d3N ORIGINAL. COMPOSITORES (44%) de los ganadores<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Con Conrad (1934), The Continental<\/div>\n<div dir=\"auto\">Jerome Kern (1936), The Way You Look Tonight<\/div>\n<div dir=\"auto\">Ralph Rainger (1938), Thanks for the Memory<\/div>\n<div dir=\"auto\">Harold Arlen (1939), Over the Rainbow<\/div>\n<div dir=\"auto\">Jerome Kern (1941), The Last Time I Saw Paris<\/div>\n<div dir=\"auto\">Irving Berlin (1942), White Christmas<\/div>\n<div dir=\"auto\">Richard Rodgers (1945), It Might As Well Be Spring<\/div>\n<div dir=\"auto\">Allie Wrubel (1947), Zip-A-Dee-Doo-Dah<\/div>\n<div dir=\"auto\">Jay Livingston (1948), Buttons and Bows<\/div>\n<div dir=\"auto\">Frank Loesser (1949), Baby, It&#8217;s Cold Outside<\/div>\n<div dir=\"auto\">Jay Livingston (1950), Mona Lisa<\/div>\n<div dir=\"auto\">Dmitri Tiomkin (1952), High Noon (Do Not Forsake Me, Oh My Darlin&#8217;)<\/div>\n<div dir=\"auto\">Sammy Fain (1953), Secret Love<\/div>\n<div dir=\"auto\">Jule Styne (1954), Three Coins in a Fountain<\/div>\n<div dir=\"auto\">Sammy Fain (1955), Love Is a Many-Splendored Thing<\/div>\n<div dir=\"auto\">Jay Livingston (1956), Que Sera, Sera (Whatever Will Be, Will Be)<\/div>\n<div dir=\"auto\">Frederick Loewe 1 (1958), Gigi<\/div>\n<div dir=\"auto\">Richard Sherman (1964), Chim Chim Cher-ee<\/div>\n<div dir=\"auto\">Robert Sherman (1964), Chim Chim Cher-ee<\/div>\n<div dir=\"auto\">Johnny Mandel (1965), The Shadow of Your Smile<\/div>\n<div dir=\"auto\">Burt Bacharach (1969), Raindrops Keep Fallin&#8217; On My Head<\/div>\n<div dir=\"auto\">Fred Karlin (1970), For All We Know<\/div>\n<div dir=\"auto\">Joel Hirschhorn (1972), The Morning After<\/div>\n<div dir=\"auto\">Al Kasha (1972), The Morning After<\/div>\n<div dir=\"auto\">Marvin Hamlisch (1973), The Way We Were<\/div>\n<div dir=\"auto\">Joel Hirschhorn (1974), We May Never Love Like This Again<\/div>\n<div dir=\"auto\">Al Kasha (1974), We May Never Love Like This Again<\/div>\n<div dir=\"auto\">Barbra Streisand (1976), Evergreen<\/div>\n<div dir=\"auto\">Joseph Brooks (1977), You Light Up My Life<\/div>\n<div dir=\"auto\">David Shire (1979), It Goes Like It Goes<\/div>\n<div dir=\"auto\">Michael Gore (1980), Fame<\/div>\n<div dir=\"auto\">Burt Bacharach (1981), Arthur&#8217;s Theme (Best That You Can Do)<\/div>\n<div dir=\"auto\">Carole Bayer Sager (1981), Arthur&#8217;s Theme (Best That You Can Do)<\/div>\n<div dir=\"auto\">Donald Markowitz (1987), (I&#8217;ve Had) The Time of My Life<\/div>\n<div dir=\"auto\">Carly Simon 2 (1988), Let the River Run<\/div>\n<div dir=\"auto\">Alan Menken (1989), Under the Sea<\/div>\n<div dir=\"auto\">Stephen Sondheim (1990), Sooner or Later (I Always Get My Man)<\/div>\n<div dir=\"auto\">Alan Menken (1991), Beauty and the Beast<\/div>\n<div dir=\"auto\">Alan Menken (1992), A Whole New World<\/div>\n<div dir=\"auto\">Alan Menken (1995), Colors of the Wind<\/div>\n<div dir=\"auto\">James Horner (1997), My Heart Will Go On<\/div>\n<div dir=\"auto\">Stephen Schwartz (1998), When You Believe<\/div>\n<div dir=\"auto\">Bob Dylan (2000), Things Have Changed<\/div>\n<div dir=\"auto\">Randy Newman (2001), If I Didn&#8217;t Have You<\/div>\n<div dir=\"auto\">Howard Shore (2003), Into the West<\/div>\n<div dir=\"auto\">Jorge Drexler (2004), Al Otro Lado del R\u00edo<\/div>\n<div dir=\"auto\">Randy Newman (2010), We Belong Together<\/div>\n<div dir=\"auto\">Justin Hurwitz (2016), City of Stars<\/div>\n<div dir=\"auto\">Mark Ronson (2018), Shallow<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">LETRISTAS (46%) de los ganadores<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Herb Magidson (1934), The Continental<\/div>\n<div dir=\"auto\">Al Dubin (1935), Lullaby of Broadway<\/div>\n<div dir=\"auto\">Dorothy Fields (1936), The Way You Look Tonight<\/div>\n<div dir=\"auto\">Leo Robin (1938), Thanks for the Memory<\/div>\n<div dir=\"auto\">Yip Harburg (1939), Over the Rainbow<\/div>\n<div dir=\"auto\">Oscar Hammerstein II 1 (1941), The Last Time I Saw Paris<\/div>\n<div dir=\"auto\">Irving Berlin (1942), White Christmas<\/div>\n<div dir=\"auto\">Mack Gordon (1943), You&#8217;ll Never Know<\/div>\n<div dir=\"auto\">Oscar Hammerstein II 1 (1945), It Might As Well Be Spring<\/div>\n<div dir=\"auto\">Ray Gilbert (1947), Zip-A-Dee-Doo-Dah<\/div>\n<div dir=\"auto\">Ray Evans (1948), Buttons and Bows<\/div>\n<div dir=\"auto\">Frank Loesser (1949), Baby, It&#8217;s Cold Outside<\/div>\n<div dir=\"auto\">Ray Evans (1950), Mona Lisa<\/div>\n<div dir=\"auto\">Paul Francis Webster (1953), Secret Love<\/div>\n<div dir=\"auto\">Sammy Cahn (1954), Three Coins in a Fountain<\/div>\n<div dir=\"auto\">Paul Francis Webster (1955), Love Is a Many-Splendored Thing<\/div>\n<div dir=\"auto\">Ray Evans (1956), Que Sera, Sera (Whatever Will Be, Will Be)<\/div>\n<div dir=\"auto\">Sammy Cahn (1957), All the Way<\/div>\n<div dir=\"auto\">Alan Jay Lerner (1958), Gigi<\/div>\n<div dir=\"auto\">Sammy Cahn (1959), High Hopes<\/div>\n<div dir=\"auto\">Sammy Cahn (1963), Call Me Irresponsible<\/div>\n<div dir=\"auto\">Richard Sherman (1964), Chim Chim Cher-ee<\/div>\n<div dir=\"auto\">Robert Sherman (1964), Chim Chim Cher-ee<\/div>\n<div dir=\"auto\">Paul Francis Webster (1965), The Shadow of Your Smile<\/div>\n<div dir=\"auto\">Don Black (1966), Born Free<\/div>\n<div dir=\"auto\">Alan Bergman (1968), The Windmills of Your Mind<\/div>\n<div dir=\"auto\">Marilyn Bergman (1968), The Windmills of Your Mind<\/div>\n<div dir=\"auto\">Hal David (1969), Raindrops Keep Fallin&#8217; On My Head<\/div>\n<div dir=\"auto\">Joel Hirschhorn (1972), The Morning After<\/div>\n<div dir=\"auto\">Al Kasha (1972), The Morning After<\/div>\n<div dir=\"auto\">Alan Bergman (1973), The Way We Were<\/div>\n<div dir=\"auto\">Marilyn Bergman (1973), The Way We Were<\/div>\n<div dir=\"auto\">Joel Hirschhorn (1974), We May Never Love Like This Again<\/div>\n<div dir=\"auto\">Al Kasha (1974), We May Never Love Like This Again<\/div>\n<div dir=\"auto\">Joseph Brooks (1977), You Light Up My Life<\/div>\n<div dir=\"auto\">Norman Gimbel (1979), It Goes Like It Goes<\/div>\n<div dir=\"auto\">Burt Bacharach (1981), Arthur&#8217;s Theme (Best That You Can Do)<\/div>\n<div dir=\"auto\">Carole Bayer Sager (1981), Arthur&#8217;s Theme (Best That You Can Do)<\/div>\n<div dir=\"auto\">Carly Simon 1 (1988), Let the River Run<\/div>\n<div dir=\"auto\">Howard Ashman (1989), Under the Sea<\/div>\n<div dir=\"auto\">Stephen Sondheim (1990), Sooner or Later (I Always Get My Man)<\/div>\n<div dir=\"auto\">Howard Ashman (1991), Beauty and the Beast<\/div>\n<div dir=\"auto\">Stephen Schwartz (1995), Colors of the Wind<\/div>\n<div dir=\"auto\">Stephen Schwartz (1998), When You Believe<\/div>\n<div dir=\"auto\">Bob Dylan (2000), Things Have Changed<\/div>\n<div dir=\"auto\">Randy Newman (2001), If I Didn&#8217;t Have You<\/div>\n<div dir=\"auto\">Howard Shore (2003), Into the West<\/div>\n<div dir=\"auto\">Jorge Drexler (2004), Al Otro Lado del R\u00edo<\/div>\n<div dir=\"auto\">Benj Pasek (2016), City of Stars<\/div>\n<div dir=\"auto\">Mark Ronson (2018), Shallow<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">La siguiente lista cubre los Premios de la Academia otorgados en todas las categor\u00edas de composici\u00f3n de partituras musicales cinematogr\u00e1ficas, incluida la mejor partitura musical original y mejor adaptada, la mejor partitura para una pel\u00edcula musical y no musical, y premios por partituras de canciones. La lista completa se puede encontrar buscando &#8220;M\u00fasica (puntuaci\u00f3n)&#8221; en la base de datos de premios de la Academia de Artes y Ciencias Cinematogr\u00e1ficas.<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Gus Kahn (1934), One Night of Love<\/div>\n<div dir=\"auto\">Louis Silvers (1934), One Night of Love<\/div>\n<div dir=\"auto\">Max Steiner (1935), The Informer<\/div>\n<div dir=\"auto\">Leo Forbstein (1936), Anthony Adverse<\/div>\n<div dir=\"auto\">Erich Wolfgang Korngold (1936), Anthony Adverse<\/div>\n<div dir=\"auto\">Charles Previn (1937), One Hundred Men and a Girl<\/div>\n<div dir=\"auto\">Erich Wolfgang Korngold (1938), The Adventures of Robin Hood<\/div>\n<div dir=\"auto\">Alfred Newman (1938), Alexander&#8217;s Ragtime Band<\/div>\n<div dir=\"auto\">Leo Shuken (1939), Stagecoach<\/div>\n<div dir=\"auto\">Alfred Newman (1940), Tin Pan Alley<\/div>\n<div dir=\"auto\">Bernard Herrmann (1941), All That Money Can Buy<\/div>\n<div dir=\"auto\">Max Steiner (1942), Now, Voyager<\/div>\n<div dir=\"auto\">Alfred Newman (1943), The Song of Bernadette<\/div>\n<div dir=\"auto\">Max Steiner (1944), Since You Went Away<\/div>\n<div dir=\"auto\">Morris Stoloff (1944), Cover Girl<\/div>\n<div dir=\"auto\">Mikl\u00f3s R\u00f3zsa (1945), Spellbound<\/div>\n<div dir=\"auto\">Morris Stoloff (1946), The Jolson Story<\/div>\n<div dir=\"auto\">Mikl\u00f3s R\u00f3zsa (1947), A Double Life<\/div>\n<div dir=\"auto\">Alfred Newman (1947), Mother Wore Tights<\/div>\n<div dir=\"auto\">Johnny Green (1948), Easter Parade<\/div>\n<div dir=\"auto\">Aaron Copland (1949), The Heiress<\/div>\n<div dir=\"auto\">Lennie Hayton (1949), On the Town<\/div>\n<div dir=\"auto\">Franz Waxman (1950), Sunset Boulevard<\/div>\n<div dir=\"auto\">Adolph Deutsch (1950), Annie Get Your Gun<\/div>\n<div dir=\"auto\">Franz Waxman (1951), A Place in the Sun<\/div>\n<div dir=\"auto\">Saul Chaplin (1951), An American in Paris<\/div>\n<div dir=\"auto\">Johnny Green (1951), An American in Paris<\/div>\n<div dir=\"auto\">Dmitri Tiomkin (1952), High Noon<\/div>\n<div dir=\"auto\">Alfred Newman (1952), With a Song in My Heart<\/div>\n<div dir=\"auto\">Bronislau Kaper (1953), Lili<\/div>\n<div dir=\"auto\">Alfred Newman (1953), Call Me Madam<\/div>\n<div dir=\"auto\">Dmitri Tiomkin (1954), The High and the Mighty<\/div>\n<div dir=\"auto\">Saul Chaplin (1954), Seven Brides for Seven Brothers<\/div>\n<div dir=\"auto\">Adolph Deutsch (1954), Seven Brides for Seven Brothers<\/div>\n<div dir=\"auto\">Alfred Newman (1955), Love Is a Many-Splendored Thing<\/div>\n<div dir=\"auto\">Jay Blackton (1955), Oklahoma!<\/div>\n<div dir=\"auto\">Adolph Deutsch (1955), Oklahoma!<\/div>\n<div dir=\"auto\">Victor Young (1956), Around the World in 80 Days<\/div>\n<div dir=\"auto\">Alfred Newman (1956), The King and I<\/div>\n<div dir=\"auto\">Dmitri Tiomkin (1958), The Old Man and the Sea<\/div>\n<div dir=\"auto\">Andr\u00e9 Previn (1958), Gigi<\/div>\n<div dir=\"auto\">Mikl\u00f3s R\u00f3zsa (1959), Ben-Hur<\/div>\n<div dir=\"auto\">Andr\u00e9 Previn (1959), Porgy and Bess<\/div>\n<div dir=\"auto\">Ernest Gold (1960), Exodus<\/div>\n<div dir=\"auto\">Morris Stoloff (1960), Song Without End<\/div>\n<div dir=\"auto\">Harry Sukman (1960), Song Without End<\/div>\n<div dir=\"auto\">Saul Chaplin (1961), West Side Story<\/div>\n<div dir=\"auto\">Johnny Green (1961), West Side Story<\/div>\n<div dir=\"auto\">Irwin Kostal (1961), West Side Story<\/div>\n<div dir=\"auto\">Sid Ramin (1961), West Side Story<\/div>\n<div dir=\"auto\">Andr\u00e9 Previn (1963), Irma La Douce<\/div>\n<div dir=\"auto\">Richard Sherman (1964), Mary Poppins<\/div>\n<div dir=\"auto\">Robert Sherman (1964), Mary Poppins<\/div>\n<div dir=\"auto\">Andr\u00e9 Previn (1964), My Fair Lady<\/div>\n<div dir=\"auto\">Irwin Kostal (1965), The Sound of Music<\/div>\n<div dir=\"auto\">Elmer Bernstein (1967), Thoroughly Modern Millie<\/div>\n<div dir=\"auto\">Alfred Newman (1967), Camelot<\/div>\n<div dir=\"auto\">Johnny Green (1968), Oliver!<\/div>\n<div dir=\"auto\">Burt Bacharach (1969), Butch Cassidy and the Sundance Kid<\/div>\n<div dir=\"auto\">Lennie Hayton (1969), Hello, Dolly!<\/div>\n<div dir=\"auto\">Lionel Newman (1969), Hello, Dolly!<\/div>\n<div dir=\"auto\">Marvin Hamlisch (1973), The Way We Were<\/div>\n<div dir=\"auto\">Marvin Hamlisch (1973), The Sting<\/div>\n<div dir=\"auto\">Leonard Rosenman (1975), Barry Lyndon<\/div>\n<div dir=\"auto\">Jerry Goldsmith (1976), The Omen<\/div>\n<div dir=\"auto\">Leonard Rosenman (1976), Bound for Glory<\/div>\n<div dir=\"auto\">Jonathan Tunick (1977), A Little Night Music<\/div>\n<div dir=\"auto\">Michael Gore (1980), Fame<\/div>\n<div dir=\"auto\">Alan Bergman (1983), Yentl<\/div>\n<div dir=\"auto\">Marilyn Bergman (1983), Yentl<\/div>\n<div dir=\"auto\">Dave Grusin 1 (1988), The Milagro Beanfield War<\/div>\n<div dir=\"auto\">Alan Menken (1989), The Little Mermaid<\/div>\n<div dir=\"auto\">Alan Menken (1991), Beauty and the Beast<\/div>\n<div dir=\"auto\">Alan Menken (1992), Aladdin<\/div>\n<div dir=\"auto\">Hans Zimmer (1994), The Lion King<\/div>\n<div dir=\"auto\">Luis Bacalov (1995),2 Il postino (The Postman)<\/div>\n<div dir=\"auto\">Alan Menken (1995),2 Pocahontas<\/div>\n<div dir=\"auto\">Stephen Schwartz (1995), Pocahontas<\/div>\n<div dir=\"auto\">James Horner (1997), Titanic<\/div>\n<div dir=\"auto\">John Corigliano 3 (1999), The Red Violin<\/div>\n<div dir=\"auto\">Howard Shore (2001), The Lord of the Rings: The Fellowship of the Ring<\/div>\n<div dir=\"auto\">Elliot Goldenthal 4 (2002), Frida<\/div>\n<div dir=\"auto\">Howard Shore (2003), The Lord of the Rings: The Return of the King<\/div>\n<div dir=\"auto\">Justin Hurwitz (2016), La La Land<\/div>\n<div dir=\"auto\">Hans Zimmer (2021), Dune<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">DESTINATARIOS JUD\u00cdOS DEL PREMIO TONY A LA MEJOR PRODUCCI\u00d3N MUSICAL<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">COMPOSITORES (63%) de los ganadores<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Richard Rodgers (1950), South Pacific<\/div>\n<div dir=\"auto\">Frank Loesser (1951), Guys and Dolls<\/div>\n<div dir=\"auto\">Richard Rodgers (1952), The King and I<\/div>\n<div dir=\"auto\">Leonard Bernstein (1953), Wonderful Town<\/div>\n<div dir=\"auto\">Richard Adler (1955), The Pajama Game<\/div>\n<div dir=\"auto\">Jerry Ross (1955), The Pajama Game<\/div>\n<div dir=\"auto\">Richard Adler (1956), Damn Yankees<\/div>\n<div dir=\"auto\">Jerry Ross (1956), Damn Yankees<\/div>\n<div dir=\"auto\">Frederick Loewe 1 (1957), My Fair Lady<\/div>\n<div dir=\"auto\">Albert Hague (1959), Redhead<\/div>\n<div dir=\"auto\">Richard Rodgers (1960), The Sound of Music<\/div>\n<div dir=\"auto\">Jerry Bock (1960), Fiorello! (tied with The Sound of Music)<\/div>\n<div dir=\"auto\">Charles Strouse (1961), Bye Bye Birdie<\/div>\n<div dir=\"auto\">Frank Loesser (1962), How to Succeed in Business Without Really Trying<\/div>\n<div dir=\"auto\">Stephen Sondheim (1963), A Funny Thing Happened on the Way to the Forum<\/div>\n<div dir=\"auto\">Jerry Herman (1964), Hello, Dolly!<\/div>\n<div dir=\"auto\">Jerry Bock (1965), Fiddler on the Roof<\/div>\n<div dir=\"auto\">Mitch Leigh (1966), Man of La Mancha<\/div>\n<div dir=\"auto\">John Kander (1967), Cabaret<\/div>\n<div dir=\"auto\">Jule Styne (1968), Hallelujah, Baby!<\/div>\n<div dir=\"auto\">Sherman Edwards (1969), 1776<\/div>\n<div dir=\"auto\">Charles Strouse (1970), Applause<\/div>\n<div dir=\"auto\">Stephen Sondheim (1971), Company<\/div>\n<div dir=\"auto\">Stephen Sondheim (1973), A Little Night Music<\/div>\n<div dir=\"auto\">Judd Woldin (1974), Raisin<\/div>\n<div dir=\"auto\">Marvin Hamlisch (1976), A Chorus Line<\/div>\n<div dir=\"auto\">Charles Strouse (1977), Annie<\/div>\n<div dir=\"auto\">Stephen Sondheim (1979), Sweeney Todd<\/div>\n<div dir=\"auto\">Maury Yeston (1982), Nine<\/div>\n<div dir=\"auto\">Jerry Herman (1984), La Cage aux Folles<\/div>\n<div dir=\"auto\">Rupert Holmes 2 (1986), The Mystery of Edwin Drood<\/div>\n<div dir=\"auto\">Claude-Michel Sch\u00f6nberg (1987), Les Mis\u00e9rables<\/div>\n<div dir=\"auto\">Cy Coleman (1990), City of Angels<\/div>\n<div dir=\"auto\">Cy Coleman (1991), The Will Rogers Follies<\/div>\n<div dir=\"auto\">George Gershwin (1992), Crazy for You<\/div>\n<div dir=\"auto\">John Kander (1993), Kiss of the Spider Woman<\/div>\n<div dir=\"auto\">Stephen Sondheim (1994), Passion<\/div>\n<div dir=\"auto\">Jonathan Larson (1996), Rent<\/div>\n<div dir=\"auto\">Maury Yeston (1997), Titanic<\/div>\n<div dir=\"auto\">Mel Brooks (2001), The Producers<\/div>\n<div dir=\"auto\">Marc Shaiman (2003), Hairspray<\/div>\n<div dir=\"auto\">Jeff Marx (2004), Avenue Q<\/div>\n<div dir=\"auto\">David Bryan (2010), Memphis<\/div>\n<div dir=\"auto\">Matt Stone 3 (2011), The Book of Mormon<\/div>\n<div dir=\"auto\">Steven Lutvak (2014), A Gentleman&#8217;s Guide to Love and Murder<\/div>\n<div dir=\"auto\">Jeanine Tesori (2015), Fun Home<\/div>\n<div dir=\"auto\">Benj Pasek (2017), Dear Evan Hansen<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">LETRISTAS (65%) de los ganadores<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Oscar Hammerstein II1 (1950), South Pacific<\/div>\n<div dir=\"auto\">Frank Loesser (1951), Guys and Dolls<\/div>\n<div dir=\"auto\">Oscar Hammerstein II1(1952), The King and I<\/div>\n<div dir=\"auto\">Betty Comden (1953), Wonderful Town<\/div>\n<div dir=\"auto\">Adolph Green (1953), Wonderful Town<\/div>\n<div dir=\"auto\">Richard Adler (1955), The Pajama Game<\/div>\n<div dir=\"auto\">Jerry Ross (1955), The Pajama Game<\/div>\n<div dir=\"auto\">Richard Adler (1956), Damn Yankees<\/div>\n<div dir=\"auto\">Jerry Ross (1956), Damn Yankees<\/div>\n<div dir=\"auto\">Alan Jay Lerner (1957), My Fair Lady<\/div>\n<div dir=\"auto\">Dorothy Fields (1959), Redhead<\/div>\n<div dir=\"auto\">Oscar Hammerstein II1 (1960), The Sound of Music<\/div>\n<div dir=\"auto\">Sheldon Harnick (1960), Fiorello!<\/div>\n<div dir=\"auto\">Lee Adams (1961), Bye Bye Birdie<\/div>\n<div dir=\"auto\">Frank Loesser (1962), How to Succeed in Business Without Really Trying<\/div>\n<div dir=\"auto\">Stephen Sondheim (1963), A Funny Thing Happened on the Way to the Forum<\/div>\n<div dir=\"auto\">Jerry Herman (1964), Hello, Dolly!<\/div>\n<div dir=\"auto\">Sheldon Harnick (1965), Fiddler on the Roof<\/div>\n<div dir=\"auto\">Joe Darion (1966), Man of La Mancha<\/div>\n<div dir=\"auto\">Fred Ebb (1967), Cabaret<\/div>\n<div dir=\"auto\">Betty Comden (1968), Hallelujah, Baby!<\/div>\n<div dir=\"auto\">Adolph Green (1968), Hallelujah, Baby!<\/div>\n<div dir=\"auto\">Sherman Edwards (1969), 1776<\/div>\n<div dir=\"auto\">Lee Adams (1970), Applause<\/div>\n<div dir=\"auto\">Stephen Sondheim (1971), Company<\/div>\n<div dir=\"auto\">Stephen Sondheim (1973), A Little Night Music<\/div>\n<div dir=\"auto\">Edward Kleban (1976), A Chorus Line<\/div>\n<div dir=\"auto\">Martin Charnin (1977), Annie<\/div>\n<div dir=\"auto\">Murray Horwitz (1978), Ain&#8217;t Misbehavin&#8217;<\/div>\n<div dir=\"auto\">Stephen Sondheim (1979), Sweeney Todd<\/div>\n<div dir=\"auto\">Al Dubin (1981), 42nd Street<\/div>\n<div dir=\"auto\">Maury Yeston (1982), Nine<\/div>\n<div dir=\"auto\">Jerry Herman (1984), La Cage aux Folles<\/div>\n<div dir=\"auto\">Rupert Holmes 2 (1986), The Mystery of Edwin Drood<\/div>\n<div dir=\"auto\">Herbert Kretzmer (1987), Les Mis\u00e9rables<\/div>\n<div dir=\"auto\">David Zippel (1990), City of Angels<\/div>\n<div dir=\"auto\">Betty Comden (1991), The Will Rogers Follies<\/div>\n<div dir=\"auto\">Adolph Green (1991), The Will Rogers Follies<\/div>\n<div dir=\"auto\">Ira Gershwin (1992), Crazy for You<\/div>\n<div dir=\"auto\">Fred Ebb (1993), Kiss of the Spider Woman<\/div>\n<div dir=\"auto\">Stephen Sondheim (1994), Passion<\/div>\n<div dir=\"auto\">Don Black (1995), Sunset Boulevard<\/div>\n<div dir=\"auto\">Jonathan Larson (1996), Rent<\/div>\n<div dir=\"auto\">Maury Yeston (1997), Titanic<\/div>\n<div dir=\"auto\">Mel Brooks (2001), The Producers<\/div>\n<div dir=\"auto\">Marc Shaiman (2003), Hairspray<\/div>\n<div dir=\"auto\">Jeff Marx (2004), Avenue Q<\/div>\n<div dir=\"auto\">Steven Sater (2007), Spring Awakening<\/div>\n<div dir=\"auto\">David Bryan (2010), Memphis<\/div>\n<div dir=\"auto\">Matt Stone 3 (2011), The Book of Mormon<\/div>\n<div dir=\"auto\">Robert Freedman (2014), A Gentleman&#8217;s Guide to Love and Murder<\/div>\n<div dir=\"auto\">Steven Lutvak (2014), A Gentleman&#8217;s Guide to Love and Murder<\/div>\n<div dir=\"auto\">Lisa Kron (2015), Fun Home<\/div>\n<div dir=\"auto\">Benj Pasek (2017), Dear Evan Hansen<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">LIBRETISTAS (56%) de los ganadores<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Bella Spewack (1949), Kiss Me, Kate<\/div>\n<div dir=\"auto\">Samuel Spewack (1949), Kiss Me, Kate<\/div>\n<div dir=\"auto\">Oscar Hammerstein II 1 (1950), South Pacific<\/div>\n<div dir=\"auto\">Abe Burrows (1951), Guys and Dolls<\/div>\n<div dir=\"auto\">Jo Swerling (1951), Guys and Dolls<\/div>\n<div dir=\"auto\">Oscar Hammerstein II 1 (1952), The King and I<\/div>\n<div dir=\"auto\">Jerome Chodorov (1953), Wonderful Town<\/div>\n<div dir=\"auto\">Joseph Fields (1953), Wonderful Town<\/div>\n<div dir=\"auto\">Charles Lederer 1 (1954), Kismet<\/div>\n<div dir=\"auto\">Alan Jay Lerner (1957), My Fair Lady<\/div>\n<div dir=\"auto\">Dorothy Fields (1959), Redhead<\/div>\n<div dir=\"auto\">Herbert Fields (1959), Redhead<\/div>\n<div dir=\"auto\">Sidney Sheldon (1959), Redhead<\/div>\n<div dir=\"auto\">Jerome Weidman (1960), Fiorello!<\/div>\n<div dir=\"auto\">Michael Stewart (1961), Bye Bye Birdie<\/div>\n<div dir=\"auto\">Abe Burrows (1962), How to Succeed in Business Without Really Trying<\/div>\n<div dir=\"auto\">Willie Gilbert (1962), How to Succeed in Business Without Really Trying<\/div>\n<div dir=\"auto\">Jack Weinstock (1962), How to Succeed in Business Without Really Trying<\/div>\n<div dir=\"auto\">Larry Gelbart (1963), A Funny Thing Happened on the Way to the Forum<\/div>\n<div dir=\"auto\">Burt Shevelove (1963), A Funny Thing Happened on the Way to the Forum<\/div>\n<div dir=\"auto\">Michael Stewart (1964), Hello, Dolly!<\/div>\n<div dir=\"auto\">Joseph Stein (1965), Fiddler on the Roof<\/div>\n<div dir=\"auto\">Dale Wasserman (1966), Man of La Mancha<\/div>\n<div dir=\"auto\">Joe Masteroff (1967), Cabaret<\/div>\n<div dir=\"auto\">Arthur Laurents (1968), Hallelujah, Baby!<\/div>\n<div dir=\"auto\">Peter Stone (1969), 1776<\/div>\n<div dir=\"auto\">Betty Comden (1970), Applause<\/div>\n<div dir=\"auto\">Adolph Green (1970), Applause<\/div>\n<div dir=\"auto\">Robert Nemiroff (1974), Raisin<\/div>\n<div dir=\"auto\">Charlotte Zaltzberg (1974), Raisin<\/div>\n<div dir=\"auto\">Murray Horwitz (1978), Ain&#8217;t Misbehavin&#8217;<\/div>\n<div dir=\"auto\">Michael Stewart (1981), 42nd Street<\/div>\n<div dir=\"auto\">Arthur Kopit (1982), Nine<\/div>\n<div dir=\"auto\">Harvey Fierstein (1984), La Cage aux Folles<\/div>\n<div dir=\"auto\">Rupert Holmes 2 (1986), The Mystery of Edwin Drood<\/div>\n<div dir=\"auto\">Alain Boublil (1987), Les Mis\u00e9rables<\/div>\n<div dir=\"auto\">Claude-Michel Sch\u00f6nberg (1987), Les Mis\u00e9rables<\/div>\n<div dir=\"auto\">Larry Gelbart (1990), City of Angels<\/div>\n<div dir=\"auto\">Peter Stone (1991), The Will Rogers Follies<\/div>\n<div dir=\"auto\">Ken Ludwig (1992), Crazy for You<\/div>\n<div dir=\"auto\">James Lapine (1994), Passion<\/div>\n<div dir=\"auto\">Don Black (1995), Sunset Boulevard<\/div>\n<div dir=\"auto\">Jonathan Larson (1996), Rent<\/div>\n<div dir=\"auto\">Peter Stone (1997), Titanic<\/div>\n<div dir=\"auto\">John Weidman (2000), Contact<\/div>\n<div dir=\"auto\">Mel Brooks (2001), The Producers<\/div>\n<div dir=\"auto\">Marshall Brickman (2006), Jersey Boys<\/div>\n<div dir=\"auto\">Steven Sater (2007), Spring Awakening<\/div>\n<div dir=\"auto\">Matt Stone 3 (2011), The Book of Mormon<\/div>\n<div dir=\"auto\">Harvey Fierstein (2013), Kinky Boots<\/div>\n<div dir=\"auto\">Robert Freedman (2014), A Gentleman&#8217;s Guide to Love and Murder<\/div>\n<div dir=\"auto\">Lisa Kron (2015), Fun Home<\/div>\n<div dir=\"auto\">Steven Levenson (2017), Dear Evan Hansen<\/div>\n<div dir=\"auto\">Itamar Moses (2018), The Band&#8217;s Visit<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">DESTINATARIOS JUD\u00cdOS DEL PREMIO TONY A LA MEJOR PARTITURA ORIGINAL DE UN MUSICAL<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">COMPOSITORES (66%) de los ganadores<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Kurt Weill (1947), Street Scene<\/div>\n<div dir=\"auto\">Richard Rodgers (1950), South Pacific<\/div>\n<div dir=\"auto\">Irving Berlin (1951), Call Me Madam<\/div>\n<div dir=\"auto\">Richard Rodgers (1962), No Strings<\/div>\n<div dir=\"auto\">Lionel Bart (1963), Oliver!<\/div>\n<div dir=\"auto\">Jerry Herman (1964), Hello, Dolly!<\/div>\n<div dir=\"auto\">Jerry Bock (1965), Fiddler on the Roof<\/div>\n<div dir=\"auto\">Mitch Leigh (1966), Man of La Mancha<\/div>\n<div dir=\"auto\">John Kander (1967), Cabaret<\/div>\n<div dir=\"auto\">Jule Styne (1968), Hallelujah, Baby!<\/div>\n<div dir=\"auto\">Stephen Sondheim (1971), Company<\/div>\n<div dir=\"auto\">Stephen Sondheim (1972), Follies<\/div>\n<div dir=\"auto\">Stephen Sondheim (1973), A Little Night Music<\/div>\n<div dir=\"auto\">Frederick Loewe 1 (1974), Gigi<\/div>\n<div dir=\"auto\">Marvin Hamlisch (1976), A Chorus Line<\/div>\n<div dir=\"auto\">Charles Strouse (1977), Annie<\/div>\n<div dir=\"auto\">Cy Coleman (1978), On the Twentieth Century<\/div>\n<div dir=\"auto\">Stephen Sondheim (1979), Sweeney Todd<\/div>\n<div dir=\"auto\">John Kander (1981), Woman of the Year<\/div>\n<div dir=\"auto\">Maury Yeston (1982), Nine<\/div>\n<div dir=\"auto\">Jerry Herman (1984), La Cage aux Folles<\/div>\n<div dir=\"auto\">Rupert Holmes 2 (1986), The Mystery of Edwin Drood<\/div>\n<div dir=\"auto\">Claude-Michel Sch\u00f6nberg (1987), Les Mis\u00e9rables<\/div>\n<div dir=\"auto\">Stephen Sondheim (1988), Into the Woods<\/div>\n<div dir=\"auto\">Cy Coleman (1990), City of Angels<\/div>\n<div dir=\"auto\">Cy Coleman (1991), The Will Rogers Follies<\/div>\n<div dir=\"auto\">William Finn (1992), Falsettos<\/div>\n<div dir=\"auto\">John Kander (1993), Kiss of the Spider Woman<\/div>\n<div dir=\"auto\">Stephen Sondheim (1994), Passion<\/div>\n<div dir=\"auto\">Jonathan Larson (1996), Rent<\/div>\n<div dir=\"auto\">Maury Yeston (1997), Titanic<\/div>\n<div dir=\"auto\">Jason Robert Brown (1999), Parade<\/div>\n<div dir=\"auto\">Mel Brooks (2001), The Producers<\/div>\n<div dir=\"auto\">Marc Shaiman (2003), Hairspray<\/div>\n<div dir=\"auto\">Jeff Marx (2004), Avenue Q<\/div>\n<div dir=\"auto\">Adam Guettel (2005), The Light in the Piazza<\/div>\n<div dir=\"auto\">Lisa Lambert (2006), The Drowsy Chaperone<\/div>\n<div dir=\"auto\">David Bryan (2010), Memphis<\/div>\n<div dir=\"auto\">Matt Stone 3 (2011), The Book of Mormon<\/div>\n<div dir=\"auto\">Alan Menken (2012), Newsies<\/div>\n<div dir=\"auto\">Jason Robert Brown (2014), The Bridges of Madison County<\/div>\n<div dir=\"auto\">Jeanine Tesori (2015), Fun Home<\/div>\n<div dir=\"auto\">Benj Pasek (2017), Dear Evan Hansen<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">LETRISTAS (68%) de los ganadores<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Lionel Bart (1963), Oliver!<\/div>\n<div dir=\"auto\">Jerry Herman (1964), Hello, Dolly!<\/div>\n<div dir=\"auto\">Sheldon Harnick (1965), Fiddler on the Roof<\/div>\n<div dir=\"auto\">Joe Darion (1966), Man of La Mancha<\/div>\n<div dir=\"auto\">Fred Ebb (1967), Cabaret<\/div>\n<div dir=\"auto\">Betty Comden (1968), Hallelujah, Baby!<\/div>\n<div dir=\"auto\">Adolph Green (1968), Hallelujah, Baby!<\/div>\n<div dir=\"auto\">Stephen Sondheim (1971), Company<\/div>\n<div dir=\"auto\">Stephen Sondheim (1972), Follies<\/div>\n<div dir=\"auto\">Stephen Sondheim (1973), A Little Night Music<\/div>\n<div dir=\"auto\">Alan Jay Lerner (1974), Gigi<\/div>\n<div dir=\"auto\">Edward Kleban (1976), A Chorus Line<\/div>\n<div dir=\"auto\">Martin Charnin (1977), Annie<\/div>\n<div dir=\"auto\">Betty Comden (1978), On the Twentieth Century<\/div>\n<div dir=\"auto\">Adolph Green (1978), On the Twentieth Century<\/div>\n<div dir=\"auto\">Stephen Sondheim (1979), Sweeney Todd<\/div>\n<div dir=\"auto\">Fred Ebb (1981), Woman of the Year<\/div>\n<div dir=\"auto\">Maury Yeston (1982), Nine<\/div>\n<div dir=\"auto\">Jerry Herman (1984), La Cage aux Folles<\/div>\n<div dir=\"auto\">Rupert Holmes 1 (1986), The Mystery of Edwin Drood<\/div>\n<div dir=\"auto\">Alain Boublil (1987), Les Mis\u00e9rables<\/div>\n<div dir=\"auto\">Herbert Kretzmer (1987), Les Mis\u00e9rables<\/div>\n<div dir=\"auto\">Stephen Sondheim (1988), Into the Woods<\/div>\n<div dir=\"auto\">David Zippel (1990), City of Angels<\/div>\n<div dir=\"auto\">Betty Comden (1991), The Will Rogers Follies<\/div>\n<div dir=\"auto\">Adolph Green (1991), The Will Rogers Follies<\/div>\n<div dir=\"auto\">William Finn (1992), Falsettos<\/div>\n<div dir=\"auto\">Fred Ebb (1992), Kiss of the Spider Woman<\/div>\n<div dir=\"auto\">Stephen Sondheim (1994), Passion<\/div>\n<div dir=\"auto\">Don Black (1995), Sunset Boulevard<\/div>\n<div dir=\"auto\">Jonathan Larson (1996), Rent<\/div>\n<div dir=\"auto\">Maury Yeston (1997), Titanic<\/div>\n<div dir=\"auto\">Lynn Ahrens (1998), Ragtime<\/div>\n<div dir=\"auto\">Jason Robert Brown (1999), Parade<\/div>\n<div dir=\"auto\">Mel Brooks (2001), The Producers<\/div>\n<div dir=\"auto\">Marc Shaiman (2003), Hairspray<\/div>\n<div dir=\"auto\">Jeff Marx (2004), Avenue Q<\/div>\n<div dir=\"auto\">Adam Guettel (2005), The Light in the Piazza<\/div>\n<div dir=\"auto\">Lisa Lambert (2006), The Drowsy Chaperone<\/div>\n<div dir=\"auto\">Steven Sater (2007), Spring Awakening<\/div>\n<div dir=\"auto\">David Bryan (2010), Memphis<\/div>\n<div dir=\"auto\">Matt Stone 2 (2011), The Book of Mormon<\/div>\n<div dir=\"auto\">Jack Feldman (2012), Newsies<\/div>\n<div dir=\"auto\">Jason Robert Brown (2014), The Bridges of Madison County<\/div>\n<div dir=\"auto\">Lisa Kron (2015), Fun Home<\/div>\n<div dir=\"auto\">Benj Pasek (2017), Dear Evan Hansen<\/div>\n","protected":false},"excerpt":{"rendered":"<p>La m\u00fasica cl\u00e1sica occidental es una consecuencia del canto gregoriano, que tuvo su origen en los cantos lit\u00fargicos del servicio de la sinagoga. En los tiempos modernos, los jud\u00edos han desempe\u00f1ado un papel importante en la m\u00fasica como int\u00e9rpretes, directores y compositores. De los cien principales int\u00e9rpretes virtuosos del siglo XX enumerados en\u00a0http:\/\/www.muzieklijstjes.nl\/100players.htm, aproximadamente dos tercios de los violinistas, la mitad de los violonchelistas y el cuarenta por ciento de los pianistas eran, o son, jud\u00edos. De los cien principales directores del siglo XX enumerados en\u00a0http:\/\/www.muzieklijstjes.nl\/100conductors.htm, aproximadamente una cuarta parte eran, o son, jud\u00edos. Entre los principales compositores cl\u00e1sicos, la representaci\u00f3n jud\u00eda es solo del diez por ciento, siendo los m\u00e1s notables Felix Mendelssohn, Jacques Offenbach, Gustav Mahler, Arnold Schoenberg, George Gershwin y Aaron Copland (cf. World&#8217;s 50 Greatest Composers). Sin embargo, los compositores jud\u00edos han desempe\u00f1ado un papel predominante tanto en el desarrollo del teatro musical estadounidense como en el desarrollo de la m\u00fasica cinematogr\u00e1fica; aproximadamente el cuarenta por ciento de los miembros del Sal\u00f3n de la Fama de los Compositores son jud\u00edos. RECEPTORES JUD\u00cdOS DEL PREMIO DE LA ACADEMIA A LA MEJOR CANCI\u00d3N ORIGINAL. COMPOSITORES (44%) de los ganadores Con Conrad (1934), The Continental Jerome Kern (1936), The &hellip;<\/p>\n","protected":false},"author":10,"featured_media":124352,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28],"tags":[],"class_list":["post-124351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/posts\/124351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/comments?post=124351"}],"version-history":[{"count":0,"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/posts\/124351\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/media\/124352"}],"wp:attachment":[{"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/media?parent=124351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/categories?post=124351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiojai.com\/index.php\/wp-json\/wp\/v2\/tags?post=124351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}